{"id":3769,"date":"2020-08-24T06:25:37","date_gmt":"2020-08-24T06:25:37","guid":{"rendered":"http:\/\/gf.handyland.in\/?page_id=3769"},"modified":"2022-04-09T11:12:49","modified_gmt":"2022-04-09T11:12:49","slug":"press","status":"publish","type":"page","link":"https:\/\/gujralfoundation.org\/press\/","title":{"rendered":"Press"},"content":{"rendered":"

[vc_row css=”.vc_custom_1598267961795{padding-top: 5% !important;padding-right: 10% !important;padding-left: 10% !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1598267994590{padding-right: 2.5% !important;}”][vc_tta_accordion style=”flat” color=”chino” c_icon=”” active_section=”1″ title=”2022″][vc_tta_section title=”Artdemic: Future Flex” tab_id=”1597262070577-f5b10eae-b3c8″]

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\n\t\t\t[vc_column_text]Ahmedabad Mirror: India Art Fair Returns To Physical Format For 2022 Edition<\/a>[\/vc_column_text][vc_column_text]CanIndia: India Art Fair returns to physical format for 2022 edition<\/a>[\/vc_column_text][vc_column_text]Outlook: India Art Fair returns to physical format for 2022 edition<\/a>[\/vc_column_text]\t\t<\/div>\n\t<\/div>\n<\/div><\/div>[\/vc_tta_section][vc_tta_section title=”Colomboscop 2022″ tab_id=”1597262070669-196316ab-9baf”]
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Stirworld: Curated walkthrough at the seventh edition of Colomboscope in Colombo, Sri Lanka<\/a><\/p>\n

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\n\t\t\t[vc_column_text]Deccan Chronicle: ‘World needs art’<\/a>[\/vc_column_text]\t\t<\/div>\n\t<\/div>\n<\/div><\/div>[\/vc_tta_section][\/vc_tta_accordion][vc_tta_accordion style=”flat” color=”chino” c_icon=”” active_section=”1″ title=”2020″][vc_tta_section title=”Asia Now” tab_id=”1649484691588-e62e2fdc-35b5″]
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\n\t\t\t[vc_column_text]Stir World: ASIA NOW: Paris Asian Art Fair 2020 highlighted the works by Indian artists<\/a>[\/vc_column_text][vc_column_text]Opinion internationale: A Paris, Asia Now fait escale en Inde pour son \u00e9dition 2020.<\/a>[\/vc_column_text][vc_column_text]Daily Art newspaper: India Songs<\/a>[\/vc_column_text][vc_column_text]<\/p>\n
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TV5MONDE Info:\u00a0Asia Now : focus sur l’art contemporain indien<\/a><\/div>\n<\/div>\n

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\n\t\t\t[vc_column_text]Ocula: Asia Now Paris Asian Art fair<\/a>[\/vc_column_text][vc_column_text]<\/p>\n

Asia Now : \u00e0 l\u2019est, du nouveau !<\/a><\/p>\n

[\/vc_column_text][vc_column_text]The gaze of a Parisienne: Asia Now 2020<\/a>[\/vc_column_text][vc_column_text]<\/p>\n

WOMEN-elife: Asia Now 2020 \u2013 LA CR\u00c9ATION ARTISTIQUE INDIENNE \u00c0 L\u2019HONNEUR<\/a><\/p>\n

[\/vc_column_text]\t\t<\/div>\n\t<\/div>\n<\/div><\/div>[\/vc_tta_section][vc_tta_section title=”Future Collective” tab_id=”1649502100845-c3e19e69-1576″]

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\n\t\t\t[vc_column_text]5 reasons to visit the Future Collective: Conscious Culture Design Fair this weekend in Delhi<\/a>[\/vc_column_text][vc_column_text]The Best Of Sustainable Fashion, Innovation, Art & Design Come Together With This Delhi Fair<\/a>[\/vc_column_text][vc_column_text]<\/p>\n

Ideate about everything sustainable at Future Collective, a design fair at New Delhi\u2019s Bikaner House<\/a><\/p>\n

[\/vc_column_text][vc_column_text]The conscious fair<\/a>[\/vc_column_text][vc_column_text]<\/p>\n

New Delhi: This fair will pay an ode to sustainable fashion and one-of-a-kind lifestyle products<\/a><\/p>\n

[\/vc_column_text]\t\t<\/div>\n\t<\/div>\n<\/div><\/div>[\/vc_tta_section][vc_tta_section title=”Memory’s Cut: Its Deep Embrace” tab_id=”1649484692114-c662a4d2-7a45″]

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\n\t\t\t[vc_column_text]An artist\u2019s memories of her home<\/a>[\/vc_column_text][vc_column_text]<\/p>\n

Don\u2019t Miss Remen Chopra W. Van Der Vaart\u2019s Solo Exhibition \u2018Memory\u2019s Cut; Its Deep Embrace\u2019!<\/a><\/p>\n

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Artist Remen Chopra set to transform 24 Jor Bagh, New Delhi into a personal space for memories of home<\/a><\/p>\n

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Remen Chopra W. Van Der Vaart\u2019s solo show in Delhi revolves around the idea of home<\/a><\/p>\n

[\/vc_column_text][vc_column_text]Memory\u2019s Cut – Its Deep Embrace: Van Der Vaart\u2019s stroll through her family remembrances<\/a>[\/vc_column_text][vc_column_text]New Delhi, Mumbai, Kolkata: Shows to See<\/a>[\/vc_column_text][vc_column_text]<\/p>\n

16 must-visit art exhibits across India you need to check out this January<\/a><\/p>\n

[\/vc_column_text][vc_column_text]That fleeting moment<\/a>[\/vc_column_text]\t\t<\/div>\n\t<\/div>\n<\/div><\/div>[\/vc_tta_section][vc_tta_section title=”The Song of the Earth and The Sky” tab_id=”1649484692871-64b417d3-8828″]

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\n\t\t\t[vc_column_text]The Earth meets the sky in this public art installation in the Capital<\/a>[\/vc_column_text][vc_column_text]<\/p>\n

The Song of the Earth and the Sky by Ankon Mitra<\/a><\/p>\n

[\/vc_column_text][vc_column_text]Get Ready For Some Giant Origami at Sunder Nursery<\/a>[\/vc_column_text][vc_column_text]The art of folding<\/a>[\/vc_column_text][vc_column_text]<\/p>\n

Origami folds in the garden<\/a><\/p>\n

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This surprising exhibit in Delhi shows that origami isn\u2019t limited to just paper<\/a><\/p>\n

[\/vc_column_text][vc_column_text]The pleated pavilion that greets you in Sunder Nursery<\/a>[\/vc_column_text]\t\t<\/div>\n\t<\/div>\n<\/div><\/div>[\/vc_tta_section][\/vc_tta_accordion][vc_tta_accordion style=”flat” color=”chino” c_icon=”” active_section=”1″ title=”2018″][vc_tta_section title=”Kochi-Muziris Biennale 2018″ tab_id=”1597261471455-471ea8a8-20cc”]

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\n\t\t\t[vc_column_text]Kochi-Muziris Biennale 2018: Possibilities For A Non-Alienated Life<\/a>[\/vc_column_text][vc_column_text]<\/p>\n

Beyond the margins at Kochi Muziris Biennale 2018<\/a><\/p>\n

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“Kochi-Muziris Biennale 2018: Possibilities for a Non-Alienated Life\u201d<\/a><\/p>\n

[\/vc_column_text][vc_column_text]Kochi-Muziris Biennale 2018 to imbibe spirit of inclusivity<\/a>[\/vc_column_text][vc_column_text]Kochi-Muziris Biennale 2019 at a glance…<\/a>[\/vc_column_text][vc_column_text]Possibilities for a Non-Alienated Life: A Report from the Fourth Kochi-Muziris Biennale<\/a>[\/vc_column_text][vc_column_text]Interview: How Kochi Biennale\u2019s first female curator made the event more inclusive<\/a>[\/vc_column_text][vc_column_text]<\/p>\n

4th edition of Kochi-Muziris Biennale to open on Dec 12<\/a><\/p>\n

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The Kochi-Muziris Biennale 2018: Possibilities for a Non-Alienated Life<\/a><\/p>\n

[\/vc_column_text]\t\t<\/div>\n\t<\/div>\n<\/div><\/div>[\/vc_tta_section][vc_tta_section title=”State of Indigo” tab_id=”1597260726827-7a21f53d-61e5″]

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10 Must-See Installations at the 2018 London Design Biennale<\/a><\/p>\n

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Exploring Indigo, the theme of this year\u2019s London Design Biennale<\/a><\/p>\n

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London Design Biennale 2018: 10 interactive installations to look out for<\/a><\/p>\n

[\/vc_column_text][vc_column_text]Platform: Interview with Priya Khanchandani<\/a>[\/vc_column_text][vc_column_text]<\/p>\n

London. The emotional states of design<\/span><\/a><\/p>\n

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State of Indigo at Somerset House reveals the labour-intensive setting of the production of the pigment<\/a><\/p>\n

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State of Indigo the India Pavilion at London Design Biennale 2018<\/a><\/p>\n

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London Design Biennale: India and Pakistan reveal their \u2018Emotional States\u2019<\/a><\/p>\n

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All the cool installations to see at London Design Festival 2018<\/a><\/p>\n

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The colonial stain of blue gold<\/a><\/p>\n

[\/vc_column_text]\t\t<\/div>\n\t<\/div>\n<\/div><\/div>[\/vc_tta_section][vc_tta_section title=”Art Induct” tab_id=”1597261379922-ba4dd1bf-653b”]

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Seminar on the meaning, value and cultural significance of art in our time<\/a><\/p>\n

[\/vc_column_text][vc_column_text]A room of one\u2019s own<\/a>[\/vc_column_text]\t\t<\/div>\n\t<\/div>\n<\/div><\/div>[\/vc_tta_section][vc_tta_section title=”Regimes of Truth” tab_id=”1597260726919-0ecc250a-ca8c”]

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The Covert Nationalist: Reviewing an \u2018In-Progress\u2019 Art Exhibition<\/a><\/p>\n

[\/vc_column_text]\t\t<\/div>\n\t<\/div>\n<\/div><\/div>[\/vc_tta_section][vc_tta_section title=”Hello World” tab_id=”1598253434904-e6b45ca1-bae3″][vc_column_text]<\/p>\n

Bringing India to the world<\/a><\/p>\n

[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”The Emporium at the Edge of Certainty” tab_id=”1598253466466-8c687614-15d7″][vc_column_text]<\/p>\n

#WorldTheatreDay: Exploring the Surreal World of Immersive Theatre<\/a><\/p>\n

The Emporium at the Edge of Certainty by\u00a0CROW<\/a><\/p>\n

Drop Everything And Attend This Whimsical & Interactive Theatre Experience<\/a><\/p>\n

An Immersive Theatre Experience Is Being Staged At A Rundown Building In Delhi<\/a><\/p>\n

India Art Fair: Legacies of Identity<\/a>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Launch: PIX- The Student’s Issue” tab_id=”1598253476109-d3f82fbf-a398″][vc_column_text]<\/p>\n

Audacious imaginings: Photography education today<\/a><\/p>\n

[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Mutations” tab_id=”1598253520059-5d01c6b7-d09e”][vc_column_text]Mutations \u2013 Indo French image encounters<\/a><\/p>\n

Experimental photographs and conversations<\/a><\/p>\n

The World Around Us<\/a><\/p>\n

Change is the only constant: Images that symbolise contemporary experience<\/a><\/p>\n

India Art Fair: Legacies of Identity<\/a><\/p>\n

Le Monde Autour De Nous<\/a><\/p>\n

French Connection..<\/a>[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][vc_tta_accordion style=”flat” color=”chino” c_icon=”” active_section=”1″ title=”2016″][vc_tta_section title=”Kochi-Muziris Biennale 2016″ tab_id=”1598259537668-523fd0ac-8cb2″][vc_column_text]<\/p>\n

The 2016 Kochi-Muziris Biennale Is a Superb Spectacle of Cultural Confluence<\/a><\/p>\n

12 MUST-SEE WORKS FROM KOCHI-MUZIRIS BIENNALE 2016<\/a><\/p>\n

7 Highlights from Kochi-Muziris Biennale 2016<\/a><\/p>\n

The Kochi-Muziris Biennale 2016 is all set to start in December<\/a><\/p>\n

Third Edition Of Kochi Muziris Biennale Opens<\/a><\/p>\n

Meet the artists showcasing at the Kochi-Muziris Biennale 2016<\/a><\/p>\n

Kochi-Muziris Biennale off to a flying start; govt to find a permanent venue for the art event<\/a><\/p>\n

Kochi-Muziris Biennale 2016: 108-day celebration of contemporary art marks fest’s third edition<\/a><\/p>\n

3 Must-See Artworks From The Kochi-Muziris Biennale 2016<\/a><\/p>\n

Kochi-Muziris Biennale 2016 diary: Demonetisation, Sudarshan Shetty’s vision and FOMO<\/a><\/p>\n

[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”11th Shanghai Biennale” tab_id=”1598259826539-6e79d8d0-524a”][vc_column_text]Storm Deities (Maruts) by Vishal K. Dar presented by The Gujral Foundation at the 11th Shanghai Biennale<\/a><\/p>\n

Photo Gallery: \u201cWhy Not Ask Again: Arguments, Counter-arguments, and Stories\u201d, Shanghai Biennale 2016<\/a><\/p>\n

Why Are Artists Violent People? \u2013 Vishal K. Dar Answers with Maruts \u2013 Storm Dieties<\/a><\/p>\n

Delhi artist\u2019s site-specific installation goes up at the Shanghai Biennale<\/a><\/p>\n

Vishal K Dar\u2019s Storm Deities explores how to measure time without a ticking clock<\/a><\/p>\n

Art Agenda Review: \u201cWhy Not Ask Again\u201d 11th Shanghai Biennale<\/a><\/p>\n

At the Shanghai Biennale, a Desire to Disrupt the Status Quo<\/a><\/p>\n

These Indian artists are wowing at the 2016 Shanghai Biennale<\/a><\/p>\n

11th Shanghai Biennale<\/a><\/p>\n

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[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Krishna in the Garden of Assam” tab_id=”1598260075514-73b395ad-0808″][vc_column_text]<\/p>\n

KRISHNA IN THE GARDEN OF ASSAM<\/a><\/p>\n

Krishna in the Garden of Assam: The cultural context of an Indian textile at the British Museum<\/a><\/p>\n

\u201cKrishna in the Garden of Assam\u201d<\/a><\/p>\n

Ancient silk cloth from Assam centrepiece of UK exhibition<\/a><\/p>\n

Krishna in the Garden of Assam: the cultural context of an Indian textile – British Museum<\/a><\/p>\n

Weft & warp of Assam history<\/a><\/p>\n

[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”A Brush With Life” tab_id=”1598260474065-02a51162-73b9″][vc_column_text]<\/p>\n

The Grand Old Man of Indian Art Returns<\/a><\/p>\n

Impressions of a lifetime<\/a><\/p>\n

A vision of India – musings during the Satish Gujral Exhibition<\/a><\/p>\n

Eclectic oeuvre<\/a><\/p>\n

Satish Gujral: A man of many experiences, solid resilience, and a sense of humour<\/a><\/p>\n

What to talk about when you talk about the India Art Fair 2016<\/a><\/p>\n

Satish Gujral : A Brush With Life<\/a><\/p>\n

Satish Gujral, an artist for all seasons<\/a><\/p>\n

SATISH GUJRAL\u2019S BRUSH WITH LIFE<\/a><\/p>\n

Master of the Moment<\/a><\/p>\n

The memory keeper<\/a><\/p>\n

Satish Gujral’s Brush With Life: An Overview Of Six Decades Of His Art<\/a><\/p>\n

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[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Queen Size” tab_id=”1598260830836-b5641b1e-95ba”][vc_column_text]<\/p>\n

\u2018My work negotiates between private lives and public space\u2019<\/a><\/p>\n

Dance Performance: Queen Size<\/a><\/p>\n

Delhi weekend cultural calendar: Electro-folk-fusion concert, Museum exhibition, and more<\/a><\/p>\n

An intimate entanglement<\/a><\/p>\n

Two men and a charpoy<\/a><\/p>\n

A dance theatre production critiques Section 377<\/a><\/p>\n

A queer dance story<\/a><\/p>\n

Mandeep Raikhy\u2019s new dance piece is an invitation to enter the bedroom of two men<\/a><\/p>\n

QUEEN-SIZE<\/a><\/p>\n

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[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”This Night Bitten Dawn” tab_id=”1598261063096-d1d13ad8-6d4c”][vc_column_text]SENTIMENTAL EDUCATION<\/a><\/p>\n

PARMESH\u2019S VIEWFINDER: ON THE INDIA ART FAIR<\/a><\/p>\n

Modern Masters Meet Street Artists in India Art Fair<\/a><\/p>\n

What to talk about when you talk about the India Art Fair 2016<\/a><\/p>\n

Time lapse<\/a><\/p>\n

In the Dark of the Night<\/a><\/p>\n

A relook at Partition through art, poetry, writings<\/a><\/p>\n

[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”This Night Bitten Dawn – Book launch and performance” tab_id=”1598261295385-41a65ee6-c8a5″][vc_column_text]<\/p>\n

This Night Bitten Dawn: Book Launch and Performance on February 26, 2016<\/a><\/p>\n

[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”The Silent Call of the Night” tab_id=”1598261348246-e2ed71a7-7f13″][vc_column_text]<\/p>\n

Achia Anzi solo exhibition at 24 Jorbagh with Outset India<\/a><\/p>\n

Philosophy reveals art: Israeli artist Achia Anzi at Gujral Foundation<\/a><\/p>\n

The Silent call of the Earth by Achia Anzi [DELHI]<\/a><\/p>\n

Achia Anzi’s Solo Exhibition With Outset India\u00a0<\/a><\/p>\n

2015, the Year that was, for Indian Contemporary Art<\/a><\/p>\n

LISTEN TO THE SILENT CALL OF EARTH<\/a><\/p>\n

[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][vc_tta_accordion style=”flat” color=”chino” c_icon=”” active_section=”1″ title=”2014″][vc_tta_section title=”V. S. Gaitonde” tab_id=”1598263274323-324971c2-80d6″][vc_column_text]<\/p>\n

\u2018V.\u2009S. Gaitonde: Painting as Process, Painting as Life\u2019, Peggy Guggenheim Collection, Venice \u2014 \u2018Meditative\u2019<\/span><\/a><\/p>\n

V.S. Gaitonde Exhibit Opens at Guggenheim Museum, Illuminating India\u2019s Little-Known Legend<\/a><\/p>\n

\u201cV.S. GAITONDE: PAINTING AS PROCESS, PAINTING AS LIFE,\u201d BY POONAM SRIVASTAVA<\/a><\/p>\n

A Meditative Master<\/a><\/p>\n

“V. S. Gaitonde: Painting as Process, Painting as Life” opens at the Peggy Guggenheim Collection<\/a><\/p>\n

VS GAITONDE: PAINTING AS PROCESS<\/a><\/p>\n

Gaitonde at the Guggenheim<\/a><\/p>\n

[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”The Transparent Performer III” tab_id=”1598263478419-99c144f2-2d11″][vc_column_text]<\/p>\n

Turning Tables<\/a><\/p>\n

[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Sound Reasons III” tab_id=”1598263535463-35632d20-e722″][vc_column_text]Details For Sound Reasons Festival 2014 Announced<\/a><\/p>\n

SOUND ARTS FESTIVAL – SOUND REASON III<\/a><\/p>\n

[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”PRACforum” tab_id=”1598263589911-ffd0e009-accc”][vc_column_text]3 SENTENCES ON CURATION<\/a>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Oneiric House `{`round about midnight`}`” tab_id=”1598263670382-431db029-c769″][vc_column_text]Oneiric House<\/a><\/p>\n

Rooms with a world view: Sonia Khurana’s art engages with the vulnerabilities of mind,body and gender through installations, videos and performances<\/a><\/p>\n

HOUSE OF DREAMS<\/span><\/a><\/p>\n

In the realm of sleep and insomnia<\/a><\/p>\n

Calling all art devotees: These artists need to be a part of your collection<\/a><\/p>\n

[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”8th Berlin Biennale” tab_id=”1598263925986-dd7a154b-a955″][vc_column_text]8th Berlin Biennale 2014<\/a><\/p>\n

Berlin Biennale 8<\/a><\/p>\n

The 8th Berlin Biennale for Contemporary Art<\/a><\/p>\n

8th Berlin Biennale Curator on Berlin, Contemporary Art, and Gentrification<\/a><\/p>\n

8th Berlin Biennale by\u00a0Adam Kleinman<\/a><\/p>\n

Natasha Ginwala<\/a><\/p>\n

Crash Pad<\/a><\/p>\n

8th Berlin Biennale for Contemporary Art taking place at four venues until 3 August<\/a><\/p>\n

8th Berlin Biennale for Contemporary Art<\/a><\/p>\n

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[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Kochi-Muziris Biennale 2014″ tab_id=”1598264192333-86661e76-3a77″][vc_column_text]Jitish Kallat on\u00a0Kochi Muziris Biennale 2014<\/i><\/a><\/p>\n

FIELD TRIP: KOCHI-MUZIRIS BIENNALE 2014<\/a><\/p>\n

Aesthetica<\/a><\/p>\n

Artists rev up for Kochi Muziris Biennale 2014<\/a><\/p>\n

WHORLED EXPLORATIONS: KOCHI-MUZIRIS BIENNALE 2014<\/a><\/p>\n

Kochi Muziris Biennale 2014<\/a><\/p>\n

Jitish Kallat curator of Kochi-Muziris Biennale 2014<\/a><\/p>\n

Whorled Explorations:\u00a0<\/span>Kochi-Muziris Biennale 2014\u00a0<\/span>(Short Guide)<\/span><\/a><\/p>\n

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Kochi-Muziris Biennale to give State an arty kiss of life<\/a><\/p>\n

Artworks from Kochi Muziris Biennale 2014<\/a><\/p>\n<\/div>\n

[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][vc_tta_accordion style=”flat” color=”chino” c_icon=”” active_section=”1″ title=”2011″][vc_tta_section title=”Tolstoy Farm: Archive of Utopia” tab_id=”1598267535155-f5d445f6-c5a2″][vc_column_text]Mahatma Gandhi’s Tolstoy Farm inspires artists to recreate ‘Exhibition of Utopia’<\/a><\/p>\n

The more the merrier<\/a><\/p>\n

Gandhi`s Tolstoy Farm interpreted on canvas<\/a><\/p>\n

Pick of the week<\/a><\/p>\n

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[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Outset India Mumbai launch” tab_id=”1598267629109-15692146-5cf6″][vc_column_text]Supermodels, art models and business models give Parmesh Shahani a high voltage burst of current and some new role models this festive season….<\/a>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Outset India Delhi Launch” tab_id=”1598267814547-fb5cca03-7be2″][vc_column_text]<\/p>\n

Feroze Gujral hopes to create an atmosphere of sharing with Outset India<\/a><\/p>\n

[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”India Art Fair Speakers’ Forum” tab_id=”1598267859595-99dbd285-ddd7″][vc_column_text]<\/p>\n

Feroze Gujral hopes to create an atmosphere of sharing with Outset India<\/a><\/p>\n

[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1598268002685{padding-left: 2.5% !important;}”][vc_tta_accordion style=”flat” color=”chino” c_icon=”” active_section=”1″ title=”2021″][vc_tta_section title=”Future Flex” tab_id=”1597261863236-ac999b50-3a19″]

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\n\t\t\t[vc_column_text]Architecture Digest: India Art Fair preview: What to expect in 2022<\/a>[\/vc_column_text][vc_column_text]Ocula: India Art Fair Returns in April Under New Director Jaya Asokan<\/a>[\/vc_column_text][vc_column_text]The Statesman: India Art Fair returns to physical format for 2022 edition<\/a>[\/vc_column_text][vc_column_text]APN News: Open Call For The Design Of The India Art Fair 2022 Facade<\/a>[\/vc_column_text]\t\t<\/div>\n\t<\/div>\n<\/div><\/div>[\/vc_tta_section][vc_tta_section title=”Artdemic” tab_id=”1597261932484-79712b4d-d2a2″]
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\n\t\t\t[vc_column_text]Architecture Digest: Artdemic is a unique digital platform that aims to make art more accessible<\/a>[\/vc_column_text]\t\t<\/div>\n\t<\/div>\n<\/div><\/div>[\/vc_tta_section][vc_tta_section title=”Art” tab_id=”1649501945841-a1b2f656-e6f4″]
\n\t
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\n\t\t\t[vc_column_text]Exbulletin: How can we invest India in our culture? Feroze Gujral explains<\/a>[\/vc_column_text][vc_column_text]Business Standard: How can we get India invested in our culture? Feroze Gujral explains<\/a>[\/vc_column_text]\t\t<\/div>\n\t<\/div>\n<\/div><\/div>[\/vc_tta_section][\/vc_tta_accordion][vc_tta_accordion style=”flat” color=”chino” c_icon=”” active_section=”1″ title=”2019″][vc_tta_section title=”Colomboscope – Sea Change” tab_id=”1649501580978-44e8aebf-2766″]
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\n\t\t\t[vc_column_text]Colomboscope 2019: Cross Currents and Dissonance<\/a>[\/vc_column_text][vc_column_text]What Can We Learn From Water?: A Report from Colomboscope<\/a>[\/vc_column_text][vc_column_text]<\/p>\n

Songs from the sea<\/a><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n

Colomboscope 2019<\/a><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n

Sea change, a celebration of modern art<\/a><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n

RELATING CONTEMPORARY ART TO LOCALITY<\/a><\/p>\n

[\/vc_column_text]\t\t<\/div>\n\t<\/div>\n<\/div><\/div>[\/vc_tta_section][vc_tta_section title=”In the Absence of Writing” tab_id=”1649501581564-5024c01f-57d1″]

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Astha Butail portrays an age-old tradition in her show \u2018In the Absence of Writing\u2019<\/a><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n

In the Absence of Writing by\u00a0Astha Butail at 24 Jor Bagh reconnects viewers to a world of co-existence<\/a><\/p>\n

[\/vc_column_text][vc_column_text]In the Absence of Writing<\/a>[\/vc_column_text][vc_column_text]<\/p>\n

Astha Butail shares a story within a story at her New Delhi art show<\/a><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n

Year-long research on living traditions put on canvas<\/a><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n

Artist Astha Butail\u00a0proves ‘Joyfulness brings in many possibilities\u2019<\/a><\/p>\n

[\/vc_column_text][vc_column_text]\u2018In the Absence of Writing\u2019: History as it was recited<\/a>[\/vc_column_text][vc_column_text]<\/p>\n

Word of mouth: Oral traditions of the world captured in multimedia art<\/a><\/p>\n

[\/vc_column_text][vc_column_text]Critic\u2019s Guide to New Delhi: As India Art Fair Returns, the Best Shows in Town<\/a>[\/vc_column_text][vc_column_text]<\/p>\n

A New Delhi Artist on Why We Need to Revive Ancient\u00a0Traditions<\/a><\/p>\n

[\/vc_column_text]\t\t<\/div>\n\t<\/div>\n<\/div><\/div>[\/vc_tta_section][vc_tta_section title=”Property of a Gentleman” tab_id=”1649501582430-68940ac3-57ed”]

\n\t
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\n\t\t\t[vc_column_text]Property of a Gentleman: Revisiting history through stamps<\/a>[\/vc_column_text][vc_column_text]Philatelists, You Need to See This Nizami Collection<\/a>[\/vc_column_text][vc_column_text]Property of a Gentleman exhibition set to showcase rare\u00a0postage stamps from Nizam of Hyderabad\u2019s Dominions<\/a>[\/vc_column_text][vc_column_text]<\/p>\n

Exhibition to showcase rare stamps from Hyderabad<\/a><\/p>\n

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These rare stamps showcase the architectural wonders in erstwhile Hyderabad State<\/a><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n

A stamp of history from the Nizam\u2019s era<\/a><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n

Leaving a Stamp on History<\/a><\/p>\n

[\/vc_column_text][vc_column_text]Stamp of History<\/a>[\/vc_column_text][vc_column_text]<\/p>\n

Stamps: Ephemeral emblems of the past<\/a><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n

World\u2019s first postage stamp now on display in Hyderabad<\/a><\/p>\n

[\/vc_column_text]\t\t<\/div>\n\t<\/div>\n<\/div><\/div>[\/vc_tta_section][vc_tta_section title=”InCEPT” tab_id=”1649501583264-c174e0e6-ac71″]

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Forgotten Masters: Indian Painting for the East India Company review<\/a><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n

Gujral Foundation-CEPT University tie-up for 5-year programming<\/a><\/p>\n

[\/vc_column_text][vc_column_text]Things to do in Ahmedabad today<\/a>[\/vc_column_text][vc_column_text]<\/p>\n

Three students bag CEPT Gujral Foundation Excellence Award<\/a><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n

The Gujral Foundation collaborates with CEPT University, Ahmedabad, committing to 5 years of programming<\/a><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n

CEPT University and Gujral Foundation Collaborate on a Sculpture Park at CEPT<\/a><\/p>\n

[\/vc_column_text]\t\t<\/div>\n\t<\/div>\n<\/div><\/div>[\/vc_tta_section][vc_tta_section title=”Forgotten Masters” tab_id=”1649501583851-b51f49f9-786f”]

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Forgotten Masters: Indian Painting for the East India Company\u201d at the Wallace Collection<\/a><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n

Forgotten Masters review \u2013 the natural history geniuses robbed by the British empire<\/a><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n

When the East India Company commissioned art from Indian artists<\/a><\/p>\n

[\/vc_column_text][vc_column_text]Get Ready For Some Giant Origami at Sunder Nursery<\/a>[\/vc_column_text][vc_column_text]<\/p>\n

Forgotten Masters \u2013 Indian Painting for the East India Company review: Rich hybrid of Indian art<\/a><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n

Forgotten Masters: Indian Painting for the East India Company review<\/a><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n

Rare outing for East India Company art at London’s Wallace Collection<\/a><\/p>\n

[\/vc_column_text]\t\t<\/div>\n\t<\/div>\n<\/div><\/div>[\/vc_tta_section][\/vc_tta_accordion][vc_tta_accordion style=”flat” color=”chino” c_icon=”” active_section=”1″ title=”2017″][vc_tta_section title=”The Open Hand” tab_id=”1598253274164-f7f9231c-6aad”]

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Internationally exhibited South Asian art has its homecoming at Delhi show<\/a><\/p>\n

The Open Hand brings the best of the Gujral Foundation to India Art Fair 2017<\/a><\/p>\n

The Open Hand presented by The Gujral Foundation<\/a><\/p>\n

The Open Hand<\/a><\/p>\n

Fashioning a South Asian drift: the 9th India Art Fair<\/a><\/p>\n

Delhi weekend cultural calendar: Campus theatre festival, whisky walk, bossa nova gig and more<\/a><\/p>\n

[\/vc_column_text]\t\t<\/div>\n\t<\/div>\n<\/div><\/div>[\/vc_tta_section][vc_tta_section title=”Contour Biennale 8″ tab_id=”1598253274618-6fb5dca7-b638″]

\n\t
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\n\t\t\t[vc_column_text]‘Polyphonic Worlds’: Contour Biennale 8<\/a><\/p>\n

Contour Biennale 8, \u201cPolyphonic Worlds: Justice as Medium\u201d<\/a><\/p>\n

Here Are the Artists and Collectives Participating in Belgium\u2019s Contour Biennale 8<\/a><\/p>\n

Contour Biennale 8 Polyphonic Worlds: Justice as Medium<\/a><\/p>\n

CONTOUR BIENNALE 8 | JUSTICE AS A MEDIUM FOR THE ARTS<\/a><\/p>\n

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[\/vc_column_text]\t\t<\/div>\n\t<\/div>\n<\/div><\/div>[\/vc_tta_section][vc_tta_section title=”A Myth of Two Souls” tab_id=”1598253272935-7c13d450-b5e3″]

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Merging documentary, fiction and mythology<\/a><\/p>\n

[\/vc_column_text]\t\t<\/div>\n\t<\/div>\n<\/div><\/div>[\/vc_tta_section][vc_tta_section title=”Stone, Paper, Pillar” tab_id=”1598253273526-de1157fa-8c65″]

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Well-known artists pick a potential talent they believe will create a splash on the art scene in the years to come<\/a><\/p>\n

[\/vc_column_text]\t\t<\/div>\n\t<\/div>\n<\/div><\/div>[\/vc_tta_section][vc_tta_section title=”KYTA 2017″ tab_id=”1598253272529-9bf40375-6afe”]

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\n\t\t\t[vc_column_text]The Artists of KYTA 2017<\/a><\/p>\n

In a Himalayan village, KYTA is giving artists a platform to produce collaborative artwork<\/a>[\/vc_column_text]\t\t<\/div>\n\t<\/div>\n<\/div><\/div>[\/vc_tta_section][vc_tta_section title=”Q&A” tab_id=”1598259327814-bf39736c-36cb”][vc_column_text]BIG-GAME Q&A – 2016<\/a>[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][vc_tta_accordion style=”flat” color=”chino” c_icon=”” active_section=”1″ title=”2015″][vc_tta_section title=”My East is Your West” tab_id=”1598261648723-bbf659b0-0d5e”][vc_column_text]MY EAST IS YOUR WEST. Rashid Rana, Pakistan and Shilpa Gupta, India at the\u00a056th Venice International Art Biennale<\/a><\/p>\n

My East is Your West: Rashid Rana and Shilpa Gupta in Venice \u2013 interview<\/a><\/p>\n

MY EAST IS YOUR WEST: INDIA AND PAKISTAN AT 56TH VENICE BIENNALE<\/a><\/p>\n

The Venice Questionnaire 2015 #29: Rashid Rana & Shilpa Gupta<\/a><\/p>\n

The Gujral Foundation presents My East is Your West<\/a><\/p>\n

United on canvas<\/a><\/p>\n

India & Pakistan Shilpa Gupta and Rashid Rana<\/a><\/p>\n

BEAUTIES FROM THE VENICE BIENNALE<\/a><\/p>\n

Rashid Rana, the poster boy of South Asian art<\/a><\/p>\n

India and Pakistan come together at Venice Biennale<\/a><\/p>\n

INDIA AND PAKISTAN TO COLLABORATE FOR VENICE BIENNALE 2015<\/a><\/p>\n

Indian, Pakistani artists to share exhibit at Venice Biennale<\/a><\/p>\n

Breaking barriers of time and space<\/a><\/p>\n

FRESH PHILANTHROPIST: FEROZE GUJRAL<\/a><\/p>\n

Indian and Pakistani artists exhibit at the Venice Biennale<\/a><\/p>\n

Art sans fronti\u00e8res<\/a><\/p>\n

The making of the South Asian brand<\/a><\/p>\n

In Conversation with Feroze Gujral<\/a><\/p>\n

INTERVIEW : RASHID RANA AND SHILPA GUPTA ON \u2018MY EAST IN YOUR WEST\u2019, THEIR JOINT COLLATERAL EVENT AT VENICE BIENNALE 2015<\/a><\/p>\n

A Borderless Time<\/a><\/p>\n

[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Pichvai Tradition & Beyond” tab_id=”1598261543725-458fbae0-3fbb”][vc_column_text]<\/p>\n

The many moods of Krishna<\/a><\/p>\n

The Mint Planner, 18 September 2015<\/a><\/p>\n

Pichwai: A school in praise of the deity<\/a><\/p>\n

[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Colomboscope – Shadow Scenes” tab_id=”1598262362207-3c57e9f2-3373″][vc_column_text]<\/p>\n

Shadow Scenes at Cinnamon Colomboscope<\/a><\/p>\n

Growing pains: A review of Cinnamon Colomboscope 2015<\/a><\/p>\n

FIELD TRIP: CINNAMON COLOMBOSCOPE 2015<\/a><\/p>\n

Walking, talking, viewing Cinnamon Colomboscope | The Sunday Times Sri Lanka<\/a><\/p>\n

Artists look back at Sri Lanka’s violent past to make sense of the present<\/a><\/p>\n

Prediction Extinction: Exhibition by Firi Rahman<\/a><\/p>\n

Art At The Rio Cinema<\/a><\/p>\n

Cinnamon Colomboscope<\/a><\/p>\n

Cinnamon Colomboscope: Where diversity reigns<\/a>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Camp as if II – flight of the black boxes” tab_id=”1598262865510-546ca604-199e”][vc_column_text]<\/p>\n

The normal in a different light<\/a><\/p>\n

SEVEN YEARS ON, INDIA ART FAIR IS POISED TO BE STRONGER THAN EVER<\/a><\/p>\n

CAMP’s As If – II<\/a><\/p>\n

[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Outset India Breakfast Series” tab_id=”1598262993393-36f25cdc-8fec”][vc_column_text]Easy lies the head that wears a crown<\/a><\/p>\n

SEVEN YEARS ON, INDIA ART FAIR IS POISED TO BE STRONGER THAN EVER<\/a><\/p>\n

[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Abandon” tab_id=”1598263096731-4ed0ebf4-9425″][vc_column_text]Event: Walkthrough with photographer – ABANDON- at 24 Jor Bagh, New Delhi | 31 March, 6 pm<\/a><\/p>\n

Unfound Shores: Exhibition dwells on the collision between time and freedom<\/a><\/p>\n

[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][vc_tta_accordion style=”flat” color=”chino” c_icon=”” active_section=”1″ title=”2013″][vc_tta_section title=”House of Everything and Nothing” tab_id=”1598264599999-187068c8-dbeb”][vc_column_text]\u2018With Respect to Residue\u2019: Raqs Media Collective, Decolonial Museum as UFO<\/a><\/p>\n

The Hour of Introspection<\/a><\/p>\n

Against the Obvious<\/a><\/p>\n

[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”55th Venice Biennale” tab_id=”1598264698346-28577823-1afb”][vc_column_text]<\/p>\n

THE ENCYCLOPEDIC PALACE<\/a><\/p>\n

Prabhavathi Meppayil<\/a><\/p>\n

In this Indian artist\u2019s stunning works, chance plays a powerful role<\/a><\/p>\n

[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Homelands” tab_id=”1598264854751-bd2582f4-4ad2″][vc_column_text]<\/p>\n

Photo Essay | My home and me<\/a><\/p>\n

Questions of Identity<\/a><\/p>\n

Homelands exhibition opens in four cities across India this year<\/a><\/p>\n

Where the heart is? British Council tours \u201cHomelands\u201d art exhibition in India \u2013 event alert<\/a><\/p>\n

Homecoming or homecomings?<\/a><\/p>\n

\u201cHomelands\u201d exhibit in Delhi examines identity through art<\/a><\/p>\n

Exploring the world’s homelands<\/a><\/p>\n

A private preview of Homelands exhibition in Delhi<\/a><\/p>\n

Transient Identities: In Conversation with Curator Latika Gupta<\/a><\/p>\n

[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Blind Spot” tab_id=”1598265125407-c2bfd4f2-2631″][vc_column_text]<\/p>\n

BLIND SPOT EXHIBITION<\/a><\/p>\n

Blind Spot reveals the seven sensibilities of middle class India<\/a><\/p>\n

[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][vc_tta_accordion style=”flat” color=”chino” c_icon=”” active_section=”1″ title=”2012″][vc_tta_section title=”Performance by Yoko Ono” tab_id=”1598266406494-0394f01d-d211″][vc_column_text]Yoko Ono Art Exhibition & Performance In Delhi<\/a><\/p>\n

Our Beautiful Daughters<\/a><\/p>\n

Yoko Ono Lennon comes to the Capital<\/a><\/p>\n

Yoko Ono’s tribute to Indian women: Straight from the art!<\/a><\/p>\n

[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Wish Trees by Yoko Ono” tab_id=”1598266542940-222fcf3a-fc06″][vc_column_text]INDIA. Yoko Ono coming to India with her avant-garde art show<\/a><\/p>\n

Our Beautiful Daughters<\/a><\/p>\n

Five Minutes With Yoko Ono<\/a><\/p>\n

YOKO ONO<\/a><\/p>\n

New Delhi’s India Art Fair explodes this year<\/a><\/p>\n

I have a lot to learn from women in India: Yoko Ono<\/a><\/p>\n

[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Kochi-Muziris Biennale 2012″ tab_id=”1598266679432-61be760f-7376″][vc_column_text]Kochi Muziris Biennale 2012<\/a><\/p>\n

VISITING THE KOCHI MUZIRIS BIENNALE 2012<\/a><\/p>\n

KOCHI-MUZIRIS BIENNALE<\/a><\/p>\n

Kochi-Muziris Biennale 2012- A Curtain Raiser<\/a><\/p>\n

Kochi: India\u2019s First Art Biennale<\/a><\/p>\n

Kochi-Muziris Biennale 2012<\/a><\/p>\n

Kochi-Muziris Biennale<\/a>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Let’s Talk KMB ’12” tab_id=”1598266836902-4d3cdadc-683d”][vc_column_text]<\/p>\n

10,000 visitors at Kochi Biennale in first 3 days<\/a><\/p>\n

\u2018Let\u2019s talk with artist Ernesto Neto\u2019<\/a><\/p>\n

10,000 visitors at Kochi Biennale in first 3 days<\/a><\/p>\n

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THE WALL TV : ROHINI DEVASHER (KMB LET’S TALK INTERVIEW SERIES)<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”KhojLive12″ tab_id=”1598266955703-a48f00c9-1f5b”][vc_column_text]<\/p>\n

The Spirit Eaters and Other Curiosities<\/a><\/p>\n

Upward Curve<\/a><\/p>\n

INDIA ART FAIR GAINS MAJOR DEALERS, COURTS\u00a0COLLECTORS<\/a><\/p>\n

It\u2019s alive!<\/a><\/p>\n

Work in progress<\/a><\/p>\n

New Delhi’s India Art Fair explodes this year<\/a><\/p>\n

Curators and gallerists put finishing touches to 2012 India Art Fair<\/a><\/p>\n

Highlights of the 4th Edition of India Art Fair, formerly India Art Summit, announced<\/a><\/p>\n

India Art Fair to host artists from 20 nations
\n<\/span>Increased participation of blue-chip galleries anticipated at the Delhi carnival<\/span><\/a>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Speakers’ Forum ’12” tab_id=”1598267215681-c76a03ae-fe96″][vc_column_text]A FAIR TO REMEMBER?<\/span><\/a><\/p>\n

Highlights of the 4th Edition of India Art Fair, formerly India Art Summit, announced<\/a><\/p>\n

It\u2019s alive!<\/a><\/p>\n

India Art Fair to host artists from 20 nations
\n<\/span>Increased participation of blue-chip galleries anticipated at the Delhi carnival<\/span><\/a>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”The Column in Transit & The Wall Piece” tab_id=”1598267342695-618696ed-79d6″][vc_column_text]In a space of her own<\/a><\/p>\n

Domus<\/a><\/p>\n

Reconstructing space<\/a><\/p>\n

[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Beautiful Thing II” tab_id=”1598267420580-f58331a4-a4df”][vc_column_text]Footloose on the Streets<\/a><\/p>\n

Gati\u2019s Ignite Festival of contemporary dance<\/a><\/p>\n

Efflorescence<\/a><\/p>\n

Contemporary dance fest reaches public spaces<\/a><\/p>\n

[\/vc_column_text][\/vc_tta_section][\/vc_tta_accordion][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

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